Special Innovation Zone: Imagination Without Regulation

Existence is the ultimate proof of the possible. Every time a bold new project is tried, and works, we advance our sense of the achievable. Given how much transformation we need in order to meet the challenges we face, we need many more attempts at innovation, and we’re not getting them. The achievable is not advancing quickly enough.

Why does it matter? Because our perception of what’s possible dictates our standards of what’s acceptable, and the biggest barriers to social innovation and bright green experimentation are almost always institutional, legal and regulatory. We may have tons of new technology, promising designs, ambitious plans, but in most of the Global North, it’s exceedingly costly and difficult to try new things at any scale. A few examples:

* Cutting edge green builders often encounter all sorts of local building code barriers that prevent bold designs (sometimes even when those designs are well-proven elsewhere);

* District energy plans are often stymied by national, provincial or local laws governing utilities, which often make it difficult-to-impossible to implement new ideas for improving the grid or building local energy at scale;

* Existing utilities and agencies may resist new ideas because they stand to lose revenue if, for instance, a new water-recycling system with living machines and biodigesters takes a building off the sewer system (and would thus exempt it from paying sewer fees);

* People attempting to make woonerf-style pedestrian streets may find that municipal insurance in the U.S. may demand that streets for which the city is responsible be built at a certain width to accommodate emergency vehicles moving quickly, and companies may oppose street grid innovations which inconvenience cars on the theory that their workers or customers may have difficulties getting to their businesses;

* Banks may refuse to fund new business ideas that depend on governmental permissions or exemptions from rules, and investors may be similarly shy of getting behind projects which are both innovative and face potential regulatory or legal challenges;

* Neighborhood opposition may slow down to the point of infeasibility any project which local NIMBYs think may bring “undesirable” people or activities, even if those activities are perfectly legal and may even be welcomed by other neighbors.

Each of these examples is based on a story I’ve heard of an innovative project that died not because it was a bad idea, but because of societal inertia. Given how tough it is to start new projects (and find financing and support) under normal circumstances, innovators facing this kind of opposition often end up contenting themselves with incremental — sometimes downright meaningless — gains.

This is not just a problem for the innovators, it’s a problem for everyone. Breakthroughs in the way we make our biggest things — buildings, vehicles, infrastructure systems — need to go through a process of trial and error to reach the cutting edge. We may never know how many great ideas were lost forever, simply because the thinkers behind them couldn’t find a place to experiment boldly and in public.

What might that place look like?

In his recent Long Now talk (MP3 here), economist Paul Romer tells a story. In the early 1970s, China was stuck in a societal inertia after the death of Mao. However, right next door, Hong Kong (administered by the British) was a thriving city-state based on trade and innovative manufacturing. Chinese leaders decided to see if they could copy Hong Kong’s success on a limited scale, and set up four “Special Economic Zones” where foreign investment was encouraged and capitalism was unconstrained. The experiments were so successful economically that their rules soon more or less became the guiding principles of the Chinese miracle. As Romer says, “Hong Kong was the most successful economic development program in history.”

In many ways, the Global North is as hamstrung in the face of bright green challenges as China was in the face of capitalism. What if the answer is a sustainability and social innovation equivalent of China’s answers: a sort of “Special Innovation Zone”?

Imagine a place — perhaps a shrinking city, or a badly savaged brownfield neighborhood — where laws were set up to strip rules and regulations down to a do-no-harm minimum (maintaining criminal laws and protecting health, safety, workers’ rights and civil liberties, but perhaps limiting liability and certainly slashing red tape and delays) allowing for wild deviations from existing patterns for buildings, systems and operations. Imagine a free-fire zone for sustainable innovations, where new approaches could be iterated and tested rapidly, and, when they work, sent to proliferate outside the Zone. Conversely, some of the freedom might paradoxically come from imposing boundary limitations that can’t yet be made practical or survive politically outside the Zone, such as bans on broad classes of chemicals or strict greenhouse gas emissions limits.

To be sure, there are places out there where people are already starting to experiment successfully with this blank-canvas mentality. Vancouver, B.C. has seen wonderful results in urban design from its discretionary zoning policy, which favors case-by-case evaluation of projects in pursuit of regional goals, rather than setting blanket standards. And in Greensburg, Kansas, the devastated landscape left behind after a tornado ripped through the town in May 2007 became a laboratory for innovation, as people from within the community and around the world resolved to rebuild Greensburg as a resilient, efficient and sustainable example of bright green living. Our allies at Re:Vision Dallas have offered up a full block in Texas’s third largest city as the site for a new “sustainable model for the world.” Although the final product will need approval at all levels, the design charrettes for Re:Vision Dallas put city officials and design visionaries in the same room, where they could tackle institutional stumbling blocks with more immediacy. If the winning designers have their say, the Re:Vision renovation will indeed push the envelope and the imagination. But these are small, limited exceptions that prove the rule.

I imagine that anything actually set up to work this way would have a half-life that shortened the better the Zone got at producing innovation, either because it would fly apart (like so many brilliant artistic scenes) or because it would get so profitable that funding would pour in and crush the creativity (as happens to many unfettered intellectual booms). But while it lasted, a Zone like this might well spit out more proven innovation in a handful of years than gets built on the ground in decades during the normal course of things. It might well be a flare that could illuminate a whole series of interesting paths out of the darkness.

Image: The design for “XeroPlace” was one of three winning entries in the Re:Vision Dallas design competition.
Image credit: David Baker and Partners Architects and Fletcher Studio, with rendering assistance from Mike Brown and Megan Morris of Medized.San Francisco, CA.

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Originally from Worldchanging: Bright Green by Alex Steffen

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Low Cost for Saving Climate

by Lisa Stiffler

New analyses of Waxman-Markey say saving the climate won’t cost consumers much coin.

Electric meter

Two new analyses on the economics of Waxman-Markey — the ever-expanding legislation tackling US greenhouse gas emissions through a cap-and-trade program and investments in renewable energy — conclude that the bill wouldn’t break the bank for consumers, and in fact could even save people money. Not bad for a law that would bring sweeping changes to the energy economy and wean the United States off carbon.

On Tuesday the Environmental Protection Agency released its latest analysis (see the June 2009 links). It pencils out the cost of the permits under the cap, the amount of power that will come from clean sources, changing energy prices, and the cost and availability of offsets (paying non-regulated polluters to reduce emissions or for the protection/planting of carbon-consuming forests).

Considering scenarios that include different strategies for meeting energy needs, the EPA concludes that by 2020, average electricity prices might not change at all, or might rise by as much as 17 percent. It goes on to say that in the best-case scenario:

“Actual household energy expenditures increase by a lesser amount due to reduced demand for energy. In 2020, the average household’s energy expenditures (excluding motor gasoline) decrease by 7 (percent)…”

In the least favorable scenario, household energy spending increases by 8 percent. Overall, the EPA said the average American could pay between $80 to $111 per year if the bill passes.

For a little more on the EPA report, check out a post on Grist from Daniel Weiss, director of climate strategy at American Progress.

On Friday, the Congressional Budget Office released its latest analysis of Waxman-Markey’s cost to consumers.  The Washington Post had a story on it Tuesday, and blogger Joe Romm offered his take on it as well.

The CBO states “the net annual economywide cost of the cap-and-trade program in
2020 would be $22 billion — or about $175 per household.”

Romm cheerily notes that breaks down to “48
cents per day — a little more than the cost of a postage stamp.”

The CBO goes on to explain that, on net, the poorest one-fifth of U.S. households would actually receive approximately $40 a year in 2020, while the highest income fifth of Americans would pay about $245 more. Those in the second-highest fifth pay more, about $340 a year, perhaps because they don’t own as much stock in coal and oil companies–the value of which would rise in the early years of Waxman-Markey because of free carbon permits.

The difference in the EPA and CBO cost estimates, according to Point Carbon, is because the EPA said its projections are in 2005 dollars (the CBO’s are in 2010 dollars) and account for cost savings
households would realize through energy efficiency provisions included in the bill.

Will these rosy forecasts for consumers compel lawmakers to pass Waxman-Markey (a.k.a. the American Clean Energy and Security Act)? We hope so. Stay tuned — the bill is headed to a floor vote in the House on Friday.

Electrical meter photo courtesy of Flickr user monkeycat! under the Creative Commons license.

This piece originally appeared in Sightline Institute’s blog, The Daily Score.

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Originally from Worldchanging: Bright Green by WorldChanging Team

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Reader Report: The World’s First Real Time Carbon Counter

by Bryan Mitchiner

Last Thursday was the launch of the Know The Number greenhouse gas emissions counter: the first real-time counter that advertises the increasing amount of carbon in the atmosphere.

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At 10 characters wide and atop its own 70-foot tall billboard, Deutsche Bank’s latest project looms large over all who enter New York City’s Time Square. The digital billboard displays the amount of equivalent greenhouse gas emissions in terms of carbon in the atmosphere, and is constantly updated based on measurements from NASA, NOAA, and supporting research from MIT.

We knew the carbon was there, so why so much hype? Displaying the numbers in real time changes the conversation. NASA and NOAA are able to measure the concentration of gases in the air, but even these measurements cannot constantly update themselves as often as the counter. The counter achieves this by predicting a bit into the future according to recent trends. In addition, the number is a reflection of all greenhouse gas emissions (methane, nitrous oxide, etc.) by their impact equivalencies in carbon. It even accounts for dips and rises in the amount of carbon in the atmosphere due to seasonal changes so not to appear to be slowing down certain times of the year.

Before Thursday, people could find out how much carbon was in the air, but the information was only updated every five years. That means that for four years, conversations about greenhouse gas emissions and about global climate change in general were numerically supported with outdated data. That’s akin to using 2000 census data to talk about cities in 2009. Kevin Parker, the chief executive officer of Deutsche Bank asset management says that displaying the count in real time “allows people to begin to engage in the debate around the issue.” In words that were used repeatedly throughout the event, the counter creates a sense of urgency, a call to action, and is intended to spur action to take the steps necessary in saving our planet.

The choice to install the counter in Times Square references the other famous counter this locale proudly hosts once a year. The countdown for each New Year and the dropping of the ball serves as a reminder of a new beginning, a fresh start, directed not just to New York, but around the world. Robert Socolow, a professor of Mechanical and Aerospace Engineering at Princeton explained the number during the panel discussion as, “a planetary number…the world is connected, this number is exactly the same wherever you are on the planet. So it promotes planetary thinking, planetary identity.”

Professor Socolow says we already have many solutions; we just need to put them in action. While much discussion throughout the event revolved around capping carbon emissions and putting a price on carbon, we were constantly reminded that this is only part of the answer to our problem. Another part of the answer lies in the solutions already out there, including electric vehicles, green building and renewable energy (see the Worldchanging archives for about 10,000 more examples).

The last part of the answer is what we have yet to dream up. This is what makes the counter exciting. The idea that the problem as advertised in the number is an opportunity for growth, for investment, for job and wealth creation.

We’ve been in need of something like this for years now. Ever since climate change has threatened a wide scale transformation of our economy, industry leaders worried that they will lose profits and have been fighting dirty — with disinformation campaign designed to deceive the masses. Yet, these CEOs and executives have either failed to understand the business potential in such a transformation or are too stubborn to commit to change. The call to action and drive towards a bright green economy that this counter provides is a positive reminder. While it does remind us of the doom and gloom that we are climbing towards, it should remind us that we must get going now. What I hope and think we will see in the coming years: meaningful reduction. Let’s do more than just hope.

Bryan Mitchiner studies Community, Environment and Planning at the University of Washington. He is an intern at Worldchanging.com.

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Originally from Worldchanging: Bright Green by WorldChanging Team

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Green Revolution


The artists brought together for this show reveal an imagery that has been inspired by the current mutations in our environment. They deal with diverse matters such as Chernobyl, global warming and the rise in oil rates. At times close to science-fiction, these artists imagine new stories which pay witness to the curiosity and fears derived from this changing reality continue

Originally from we make money not art by Regine

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Live Stage: Schmidt + Roosegaarde [Eindhoven]

Upgrade! Eindhoven: Holly Schmidt + Daan Roosegaarde :: June 28, 2009; 3:00 - 5:00 pm :: Philips Natlab on Strijp-S, near the crossing of Kastanjelaan and Schootsestraat.

Upgrade! Eindhoven #6 presents two artists who have each a unique way of approaching art and architecture. At this informal meeting, projects, ideas and ways of working are discussed among artists, curators and interested people. Access is free, as is the coffee. We conclude the afternoon with drinks.

Holly Schmidt (Canada) is artist in residence in Eindhoven, focussing on the research of organic processes in relation to urban environments. As a guest of MAD emergent art center she is developing an installation in the Klokgebouw on Strijp-S, based on the architectural model of Park Strijp.

Daan Roosegaarde is in the news frequently with his remarkable installations, often being playfull and challenging interventions of public space. Well known from STRP, Oerol, Kijkduin and internationally are Liquid Space, Dune and Flow. A number of new projects in public space are presented also.

Originally by jo from Networked_Performance on June 23, 2009, 5:00pm

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Departures: L.A. River

[Images by KCET] Departures: L.A. River — An Online Documentary Mapping 52 Miles of the River :: Narrated by river advocates, residents and political figures :: Co-Produced by KCET Web Stories and Friends of The Los Angeles River with Local Students.

Once home to wild animals and wildlife, the Los Angeles River provided desperately needed water to the region. Until the 1930s, that is, when the Army Corps of Engineers began the process of paving 80% of the river, turning it into a ribbon of concrete. With the launch of Departures: L.A. River, the Los Angeles River comes alive through an intimate collection of interactive panoramas showing the incredible diversity connected with a nearly extinct natural resource that locals now work to restore. Departures - hailed by the New York Times as a project that “strongly suggests a new twist on the Los Angeles muralism of the 1970s” - is an online documentary series of neighborhood portraits co-produced with community partners for Web Stories, KCET’s exclusive online magazine of cultural journalism.

Departures: L.A. River takes online visitors into often neglected and nearly forgotten portions of the river, spanning more than 50 miles of terrain, concrete and flowing water. The project was produced by KCET in collaboration with Friends of the Los Angeles River (FoLAR), a non-profit organization founded in 1986 to protect and restore the river, and with participation from students at Los Angeles Leadership Academy, a social justice charter school that prepares urban secondary students to succeed in life.

Provided with digital cameras and video equipment, students worked with KCET producers to create a visually compelling online experience in which visitors can casually scroll through the river’s many personalities or explore in-depth through audio interviews and video portraits with community leaders, activists and residents. In addition, FoLAR complemented the production by designing a comprehensive curriculum that included in-class presentations and field trips - all designed to raise awareness about the significance of the river and the challenges faced by those engaged in restoration and clean-up efforts.

“This is one of the most comprehensive online documentaries about the Los Angeles River,” says Juan Devis, KCET New Media producer, who blogged about his experiences throughout the project’s production process at KCET’s Web Stories site. “The scope of the project included environmental lessons and hands-on multimedia training for students that empowered them to help us tell this amazing story from multiple perspectives.”

Departures: L.A. River is one of four youth media initiatives, with support from the Adobe Youth Voices Venture Fund, that are inspiring young people to work with educators in their communities to create compelling digital media content. Through the PBS Foundation, three PBS member stations — KCET in Los Angeles, WGBH in Boston, and WILL in Urbana, Ill. — and McNeil/ Lehrer Productions, producers of the PBS program The NewsHour with Jim Lehrer, received funding for projects that offer outstanding educational value and youth engagement.

Departures: L.A. River is produced for KCET by Juan Devis, Director of Production, KCET New Media and co-produced by Justin Cram, in collaboration with Friends of the Los Angeles River. Multimedia and content curricula were created by Alica Katano, Friends of Los Angeles River; and KCET New Media Staff, under the leadership of Jackie Kain, Senior Vice President, KCET New Media. Historical Images appear courtesy of Los Angeles Public Library, SPARC and Metabolic Studios.

Student participants from Los Angeles Leadership Academy: Sandra Cach, Lizbeth Sierra, Arthur Salcedo, Brenda Ramos, Alma Sanchez, Yosselin Melgar, Kiara Hernandez, Jesus Hernandez, Vanessa Covarrubias, Gabriel Kim, Ely Hernandez, Cindy Irineo, Giovanni Jimenez, Yessenia Hernandez, Mengi Luo, Mo Rahman and John Aod Alvarez.

KCET, public television for Southern and Central California, offers extensive content at www.kcet.org, including web-exclusives and podcasts, plus complete episodes of the PBS series Frontline, NOW, Tavis Smiley, Bill Moyers Journal and The NewsHour with Jim Lehrer. Daily webcasts of NewsHour and Nightly Business Report are also available. Each issue of Web Stories offersan insider’s glimpse of the cultural diversity found in Los Angeles.

Originally by jo from Networked_Performance on June 26, 2009, 7:30pm

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Heirloom Design

Article Photo

1505886723_0d5fa3a5a7.jpgCan we live sustainably while still enjoying our stuff? Buying better stuff (and less of it), and keeping it for longer is one realistic strategy for making that possible. But we know that won’t work with most of the stuff we have now. Whether it’s clothes, computers, appliances or even homes, throwaway culture in the developed world — accompanied by throwaway design — makes for stuff we not only don’t want to keep, but that we often can’t continue to use even if we try.

Enter a new meme: Heirloom Design. At Compostmodern, Saul Griffith proposed the concept, which he describes as design that is intended to last for generations. Griffith said he’s planning to give his soon-to-be-born son a Rolex and Mont Blanc pen … and then tell him that these would be the only watch and pen he could use for the next 100 years.

“It sounds like I’m a pretentious wanker when I say ‘green’ is a Rolex and a Mont Blanc pen, but what I really mean is, you have to design things and experiences that will last a very long time, that have been thoughtfully designed and are very beautiful,” Griffith explained.

Durability is not a new concept for sustainability. In theory, if a product stays around longer, it means that a replacement product doesn’t need to be manufactured and transported to the consumer, and the original product stays out of the landfill. But durability alone doesn’t ensure that something won’t be thrown away. Heirloom design introduces something more: our desire as consumers to keep an object because it has some meaning for us. What makes something worthy of passing down through generations?

Griffith’s examples involve heavy initial investments, which can certainly motivate someone to care for and keep a product longer. But the power of price is relative to the consumer’s disposable income, and it still isn’t everything. The point is to not limit heirloom-quality goods to certain people, but to recover an ideal of making things for everyone that will last for generations. When I spoke with Griffith about this, he suggested that designers really need to figure out how to make something beautiful and well made that isn’t expensive.

That goal may not be as pie-in-the-sky as it sounds. In a book called Antiques of the Future, product designer Lisa Roberts put forth a collection of mass-produced objects that she believes will be valuable in the future, once they are no longer in production. Many of the items are relatively inexpensive, but are well made and attractive: one of her primary criteria in selection was just that the objects have “a strong and immediate visual appeal.” Among her selections were Michael Graves’ tea kettle and Karim Rashid’s Garbino trash can (now, she notes, the trash can is available in biodegradable corn-based plastic).

What other products being designed now have the best chance of becoming future heirlooms? Usefulness wasn’t mentioned among Roberts’ criteria, but could also be a reason something is kept. A classic multifunctional tool like the Swiss Army knife may be likely to be handed from one generation to the next. Sentimental appeal is another reason something may become an heirloom, and designers can aim to create products that inspire emotional responses.

Though Roberts’ book demonstrates that heirloom design doesn’t necessarily have to be expensive, her work doesn’t focus on design that promotes sustainability specifically. Griffith’s strategy of choosing investment pieces isn’t necessarily foolproof in this regard, either: a report by the World Wildlife Fund gave the world’s largest luxury companies abysmal sustainability ratings. Even if an item is durable and provides heirloom appeal, limited raw resources and a growing awareness of the impacts of waste mean manufacturers will need to consider lifecycle sustainability from the beginning. A few designers, however, are already using the concept of heirloom design as a way to consciously improve their sustainability, like the clothing company Howie’s, in the UK, and Entermodal in Portland, Oregon.

It’s worth noting that durability/heirloom quality isn’t always the best solution for every product. In some cases, it might make sense to design something to adapt to a radically shorter lifespan, like packaging that instantly biodegrades. In other instances, if a particular product is currently harmful to the environment, a short lifespan would be useful so that the product can be replaced as soon as sustainable technology is available.

At the other end of the spectrum, in some types of products — like rapidly changing technology — the idea of heirloom design can be taken to creative new heights. It could take the form of long-lasting hardware that accepts software upgrades: perhaps, for example, a permanent computer or cell phone case, with replaceable insides (more on this topic in John Hockenberry’s terrific article for Metropolis magazine). Taking that idea to its furthest extension is a future of closed-loop manufacturing, where you could purchase only the service an item provides, relying on the manufacturer to offer you both regular upgrade opportunities and a place to return physical materials to the industrial nutrient stream.

Overall, the idea that products should last — and that consumers should want to keep them — is an important part of designing a sustainable future. Where do you see opportunities for heirloom items that don’t yet exist? Please answer in the comments!

Adele Peters is currently earning her Master’s in Sustainability at Blekinge Institute of Technology in Karlskrona, Sweden.

Photo credit: flickr/Lid-Licker!, Creative Commons license.

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(Posted by Adele Peters in Columns at 11:05 AM)


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Originally by Adele Peters from Worldchanging: Bright Green on January 1, 1970, 9:00am

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Coming Soon to a Body of Water Near You: Pollution Sniffing Robot Fish

If it looks like a fish and moves like a fish — there’s a chance it may be a robot.

British scientists are ready to introduce five pollution-sniffing robots into the northern Spanish port of Gijon, according to Reuters. If this trial is successful, the scientists hope the seal-sized robots will be used in lakes, rivers and seas throughout the world.

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The scientists used biomimicry principles to design the carp-shaped robots to ensure energy efficiency, which will allow the robots to sustain lengthy, underwater detection missions.

The carp-shaped robots, costing 20,000 pounds ($29,000) apiece, mimic the movement of real fish and are equipped with chemical sensors to sniff out potentially hazardous pollutants, such as leaks from vessels or underwater pipelines.

They will transmit the information back to shore using Wi-Fi technology.

Unlike earlier robotic fish, which needed remote controls, they will be able to navigate independently without any human interaction.

Rory Doyle, senior research scientist at engineering company BMT Group, which developed the robot fish with researchers at Essex University, said there were good reasons for making a fish-shaped robot, rather than a conventional mini-submarine.

“In using robotic fish we are building on a design created by hundreds of millions of years’ worth of evolution which is incredibly energy efficient,” he said. “This efficiency is something we need to ensure that our pollution detection sensors can navigate in the underwater environment for hours on end.”

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It will be interesting to see if these bots can really return results. Being able to pinpoint underwater pollution for focused remediation efforts would be invaluable, as cleaning up our polluted waters is essential to our health and the health of our marine and land ecosystems. Planetary management hasn’t been our strong suit lately, but maybe we are learning and getting smarter about how we relate to and can work with our planet.

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(Posted by Sarah Kuck in Emerging Technologies at 2:54 PM)


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Originally by Sarah Kuck from Worldchanging: Bright Green on January 1, 1970, 9:00am

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Satellite Eye On Earth: Submarine Volcanic Eruption

Nasa’s Aqua satellite captured this image of volcanic activity near Tonga in the South Pacific. The following day a submarine volcanic eruption occurred. The area around the eruption appears bright blue-green, likely resulting from ash and other volcanic debris suspended in the water. The brilliant white patch at the centre of the sediment-rich area may result from vapour released by the volcano. North-west of the eruption site, a serpentine-shaped brown ribbon probably indicates volcanic rock floating on the water.

This piece originally appeared in The Guardian.

Photo credit: Nasa.

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(Posted by WorldChanging Team in Planet at 1:50 PM)


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Cutting Edge Green Gadgets

A green design competition turns up some great new ideas

by Pete Davies

I love gadgets, and I’m obsessed with things that help to increase energy efficiency. So when the two come together, I’m a very happy camper.

This will explain why I’m so excited about the second Greener Gadgets Design Competition that is currently running online. You can view the shortlist and vote for your favorites to make the shortlist that will appear for live judging at the Greener Gadgets Conference later this month.

My favorites:

  • The Power-Hog

    is basically a mini coin-operated meter that needs feeding before you can turn on the TV or the Wii. A great idea for teaching kids (and adults) to think about the costs of using appliances and gadgets.

  • The RITI Printer uses coffee or tea dregs as ink. No more expensive ink cartridges and no more reminding your work colleagues to recycle the darn things. But do you have to drink green tea if you want color?

  • One of my favorite gadgets, the Kill A Watt is hacked to create the Tweet-a-Watt that broadcasts how much power is being drawn by your appliances.

  • Check out the rest of the shortlist and don’t forget to vote!

    This piece originally appeared on The TerraPass Footprint

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    (Posted by WorldChanging Team in Emerging Technologies at 12:50 PM)


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    Originally by WorldChanging Team from Worldchanging: Bright Green on January 1, 1970, 9:00am

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