Autonet - An Autonomous Internet

Autonet is a project to create a wireless, global internet that can provide more reliability than corporate phone companies by being community based and freely licensed.

The cutting off access to The Pirate Bay by BT in the UK is just another sign of the beginning of the end. The fact that the Great Firewall of China exists signals that the internet is already obsolete and that the Great Firewall of the US is just around the corner. While moves against net neutrality began years ago and have been fought, nasty laws such as HR4437 and the Total Information Awareness program have a way of coming into existence later in the future, slightly modified, under different names. The internet as we know it, as a place for free exchange of information, as the center of what has been called a second 17th century with new ideas, creativity and innovation emerging daily, is rapidly coming to an end. We must use these last gasps of freedom to route around the disaster and create a truly free network.

How? Advances in wireless technology such as ubiquitous wireless routers, community mesh networks which are easily expandable and self-healing as well as long range wireless efforts such as HPWREN indicate a possible future for a community based internet free of the centralized control of telephone corporations and governments. While this is definitely a fork, more forks are to come and we can only hope that a few networks will emerge which can be broad enough to span most of the globe.

Major questions remain to be solved, such as speed issues, routing issues, DNS control, splits and neutrality. The Autonet, or Autonomous Internet project seems to begin to address this rapidly changing situation, where today Germany has installed internet filtering as well and more countries are to come. While today those cut off are defying copyright laws, tomorrow any other political issue may be the cause for being denied access to global networks. While today the FBI is content to steal servers from information providers like Indymedia, perhaps tomorrow they will not be happy until Indymedia is completely cut off of the network, or other open sources of information such as blogs, twitter accounts and social networks of dissident groups.

The popular revolt in Iran and subsequent disruption of network access by the Iranian government is only a glimpse of what is to come in the US and around the world, where the first line of attack against political resistance is to cut off network access. By establishing a community based, wireless, global network we can allow groups of individuals, not corporations, to maintain freedom of communication; We can create out right to communicate instead of asking for it, and continue to route around obsolete intellectual property laws which restrict our dreams and our creativity. Join this effort by going to http://alt-bit.org and contributing to this research, lets start outlining the problems, finding the technical solutions and work out the issues, collectively, as a Free Software / Open Hardware project, using open licensing.

Another urgent reason for Autonet is one that has motivated Free Software hackers for so long: Technological progress without a reliance on corporate support. Given the current financial and economic crises, how long can we expect dinosaurs like phone companies to survive? If one of these crises turns into disaster, the consequence is likely to be the disruption or collapse of the global networks on which we rely. I am not ready to give up what has been gained from these networks, including a worldwide communication between political actors empowered through fast information flows. We must start this long, difficult project today so that we may be ready for unexpected dangers which threaten our capability to communicate as a multitude, globally.

To add to the project, go to http://trac.alt-bit.org/wiki/projects/autonet

To sign up to participate, go to http://trac.alt-bit.org/register

-djlotu5

-chead

Initial Thoughts

“Was discussing pirate radio things with Micha, and I was wondering how hard it would be to create a viable, high-speed, wireless Darknet (http://en.wikipedia.org/wiki/Dark_internet). For a few hundred dollars you can buy off-the-shelf gear to create an omni-directional WiFi signal that should go a few miles over relatively flat terrain. To create a proper “Darknet” obviously there would have to be at least one DNS server, etc. RadioLabs (http://radiolabs.com) seems to be the best when it comes to consumer-grade high-gain, omni-directional antennas and amps. Another set-up would be point-to-point long-range links between nodes and omni-directional access-points (so users could hop on the network without running a node). The idea being that there would be NO connection to the commercial Internet (that is, it would not be tied into any ISP). And obviously the more nodes there are, the less terrain becomes an issue, so if this sort of thing took off, it could be amazing, even just on the local level.”

-chead

Features

  • Omni-directional and point-to-point 802.11b links
  • Unmodified TCP stack
  • LAMP nodes
  • Not directly linked to the commercial internet?
  • Distributed DNS?

Resources

Radiolabs.com: 802.11b antennas, amps

Wikipedia: “Dark Internet”

Distributed DNS project

Related Projects

HPWREN

Originally by jo from Networked_Performance on June 23, 2009, 5:17pm

Posted under reblog art, reblog innovation, reblog wikinomics

This post was written by admin on June 28, 2009

Tags: ,

Performance Algorithms as a Function of Internet Search Queries

Qualitative Analysis of Visual Performance Algorithms as a Function of Internet Search Queries from Amy Alexander on Vimeo.

VJ’ing, live TV, theatre, vaudeville, Internet narrative and webcasting collide as VJ Übergeek and the ÜberSERF research team star in “Qualitative Analysis of Visual Performance Algorithms as a Function of Internet Search Queries.”

This is a recording of a live broadcast streamed from San Diego to Be Community / Dock 18 in Zürich, May 2009. VJ Übergeek performed a special streaming-video-friendly version of the CyberSpaceLand VJ Textperience. The multi-camera broadcast was mixed live by VJ Randstrøm, and dramatic real-time research assistance was provided by the ÜberSERF.

A ÜLabs Production. Featuring: Amy Alexander, Randell Baltazar, Fabiola Hanna, Tristan Newcomb, Simon Quiroz, Roberto Rosales, Annina Rüst. Equipment support provided by Center for Research in Computing and the Arts at UCSD (CRCA).

Recent videos of VJ Ubergeek CyberSpaceLand club performances available here.

Experimental-Internet-Meta-VJ-Research-Theatre!

Originally by jo from Networked_Performance on June 26, 2009, 6:48pm

Posted under reblog art, reblog innovation, reblog wikinomics

This post was written by admin on June 28, 2009

Positions in Flux - Panel 3: Open Source - A scheme for art production and curating?

Can the OS model be applied to artworks or even exhibitions? In how far does the open source model differ from other forms of artistic collaboration? Is there a new role model for both the artist and the curator in the future? Which (economic) value and impact has expertise in open source production? How could institutions and organisations respond to this trend and create public domains? continue

Originally by Regine from we make money not art

Posted under reblog art, reblog innovation, reblog wikinomics

This post was written by admin on May 24, 2009

Tags: , ,

Ik R.I.P. at Mediamatic Amsterdam

What happens to your online profile after you die? Do you want it to remain online, so friends can leave a message in your memory? Or do you prefer having it deleted, so no confusion can arise about your death? These questions are the inspiration for the new exhibition Ik R.I.P., the third in the series about self-representation on the internet. continue

Posted under reblog art, reblog wikinomics

This post was written by admin on March 27, 2009

Tags: ,

Random Rules - Artists’ Selections from YouTube

Random Rules - A Channel of Artists’ Selections from YouTube; curated by Marina Fokidis; with Andreas Angelidakis, Aids 3D ( Daniel Keller and Nick Kosmas), assume vivid astro focus, Pablo Leon de la Barra, Eric Beltran, Keren Cytter, Jeremy Deller, Cerith Wyn Evans, Dominique Gonzalez Foerster, Dora Garcia, Rodney Graham, Annika Larsson, Matthieu Laurette, Ingo Niermann, Miltos Manetas, Ahmet Ögüt, Angelo Plessas, Lisi Raskin, Linda Wallace.

The history of moving image seems to have ’seriously’ diverted from its canonical route ever since the launch of YouTube, in 2005, the website which made possible for anyone who could use a computer to post a video that millions of people could watch within a few minutes. More effectively than ever before, amateur videos, music videos, footages of films, commercials and news segments as well as artists’ videos (in lesser numbers) mingle together, in a random way, free of any short of predetermined hierarchy or system.

Does amateur culture have undervalued artistic expertise?

Some would argue that this is true; however, it is neither a major concern nor a pragmatic threat. During the last decades, there have been a lot of debates about expertise versus amateurism or around the idea that everyone is an artist, etc, that it would be redundant to renegotiate these notions anew. Maybe it is more interesting to focus on the gaps and the relations between the systems of the art market and a more open mass culture market, to find some answers, which will not be fixed in anyway. Even if artists, in some cases, are reluctant to upload their works in there (at least up to now) due to reproduction and copyright issues, they still seem to frequent YouTube for inspiration, collecting information, socializing, communication, activism or entertainment, among other reasons! Active use of YouTube is a short of curating, where different ‘playlists’ of people are the exhibitions and ‘tagging’ is a process of a random archiving.

In a time that invitations for YouTube-exchange private gatherings become regular, seemed to make lots of sense to explore what YouTube means to a specific intellectual community, by asking a number of artists to select videos already exciting in YouTube and create their own playlists. The idea was to form a YouTube channel, a short of a paradoxical archive, or an emission in an independent media (such as YouTube) which includes all these playlists, each under the name of the artist-selector. In that plot, the uploader or the broadcaster becomes the artist, the artist becomes the curator or the collector, and the viewers exceed by far the number that can be contained into a normal screening room, since the channel is to be watched in a black cube setting and online at the same time.

Through the combination of this specific set of artists -as selectors- the aim remains always to come up with an anthology of different voices existing within the YouTube context. Perhaps, by watching this channel one could come across the notions of political, private, humor, narcissism, pop and DIY culture and distribution, -among others- as they result from various personal accounts in YouTube today.

Launched at Pulse, Contemporay Art Fair NY, 5th March 2009


Originally
from Networked_Performance

by jo


reBlogged

on Mar 26, 2009, 3:49PM

Originally by jo from Networked_Performance on March 26, 2009, 4:49pm

Posted under reblog art, reblog wikinomics

This post was written by admin on March 27, 2009

Tags: ,

Building_Space_with_Words [Brooklyn, NY]

Building_Space_with_Words by Anne-Laure Fayard and Aileen Wilson :: until March 27, 2009 :: NYU-Poly, Wunsch Building, 311 Bridge Street, Brooklyn, NY + webcam.

Like its co-creator, Anne-Laure Fayard, a social scientist whose background spans the disciplines of philosophy to human-computer interaction, Building_Space_with_Words doesn’t fit into a neat category. The month-long art installation is part experiment, part research artifact, part think-piece. Ms. Fayard, an NYU-Poly assistant professor of management, and co-creator, Aileen Wilson, an associate professor of art and design at Pratt Institute, designed Building_Space_with_Words as a hybrid offline/online environment that asks:

What happens when the physical properties of space are changed and discourse becomes the main material?

In other words, how do people build a sense of place (or what the artists describe as “we-ness”) in online settings (e.g., Facebook, blogs, Gchat) when, unlike in the offline world, all they have is words?

See: Ms. Fayard and Ms. Wilson will transform an ordinarily staid space into a maze of semi-transparent hanging panels covered in flickering digital text. Some text is expected to stream in real-time from blogs and other online venues focused on topics related to the creations and interactions that take place in virtual communities/exchanges.

A significant portion of text will come from the online companion piece to the installation, the Building_Space_with_Words blog. For several months, blog contributors from the fields of art, architecture, design, organizational behavior, and sociology, have posted articles, questions, and comments related to space — how it’s created, modified, experienced, and even studied.

The artists intend for the text “to envelop the visitor, creating the feeling of ‘being in discourse’ and to suggest the physicality (or materiality) of words and the idea of living in language, while also to suggest the virtuality of online interactions.” They describe the transparency of the panels as a “suggestion of the non-materiality of space that supports the words much more than the material representation of the walls.”

Hear: Because sound – or the lack of sound – plays such an important sensory role in how a space (virtual or “real”) is experienced, the artists have included an audio component. Visitors will hear a soundtrack composed of recordings of public spaces, of “online” sounds (e.g., keyboard and mouse clicks), and voices reading excerpts of texts related to the exhibit’s central themes. The voice element will feature different accents and the readings will be in different languages. The effect will “remind visitors of how virtual space is global and how our definition of geography is redefined in online settings.”

Touch: Touch screens will allow visitors another way to “enter” Building_Space_with_Words by taking them on a “semantic voyage.” The artists have worked with a developer to build a software application that will unite the exhibit’s physical space with its virtual space (the Building_Space_with_Words blog), and with the larger World Wide Web.

Each Building_Space_with_Words blog post is associated with “tags,” or keywords that describe its content. Visitors can select one or more of those keywords to see articles, videos, images, and other content that web users have “tagged” with the same word. Exhibit visitors can then select a content item they’re interested in, see its tags, pick one of them, receive another batch of related content, and, in theory, repeat the process ad infinitum.

Learn: A strong educational and research bent to the installation fits with its campus setting. NYU-Poly will host visits for students from local middle- and high-schools. And the exhibit itself, which builds on journal articles the artists and other scholars have previously published, is meant to challenge the traditional peer-review process of presenting research.

Ms. Fayard and Ms. Wilson want “the language of art to provide a medium to present, embody, and materialize ideas from the social sciences.”

“Quite often,” says Ms. Fayard, “discourse from the social sciences offers a theoretical framework for a work of art, putting words around the piece and verbalizing and theorizing its meaning. In Building_Space_with_Words the approach is reverse.”

Anne-Laure Fayard, Assistant Professor of Management at NYU-Poly, is a social scientist with a multidisciplinary background in philosophy and cognitive science, and experience in ethnography, human computer-interaction, and organizational studies. Her main research interests are: discourse, socio-material practices, space, distance collaboration and culture. Prior to moving to New York, she was a faculty member at INSEAD, both in Singapore and in Fontainebleau.

Aileen Wilson is Associate Professor, Art and Design Education at Pratt Institute. Her research looks at drawings by adolescents and the role of violent content in their work. Her involvement in Building Space With Words grew from an interest in the role of online communities in education and in visualizing research design in art education. She will be on sabbatical from Pratt in Spring 2009, working on Building Space with Words and on her doctoral research.


Originally
from Networked_Performance

by jo


reBlogged

on Mar 26, 2009, 4:41PM

Originally by jo from Networked_Performance on March 26, 2009, 5:41pm

Posted under reblog art, reblog wikinomics

This post was written by admin on March 27, 2009

Tags: ,

Radiant Copenhagen [Copenhagen + online]

Radiant Copenhagen is a future version of Copenhagen. Using Google maps and Wiki technologies, the group has created a Copenhagen dressed in dystopian scenery and amusing attire. You will find stories and images about peoples and places, atypical architecture, fictional art projects, suspended gravity, environmental peculiarities and the wonders of future transport, literary permutations and poetic vignettes. Radiant Copenhagen takes the internet project as its base, but spreads into the real city, with enactments of staged reality appearing without warning.

The artists Anders Bojen, Kristoffer Ørum, Kaspar Bonnén and PhD (Comp.Lit.) Rune Graulund have worked with a team of architects, artists, designers, engineers and musicians to create an alternate vision of Copenhagen. All contributors share an interest in alternative realities and how these, through the internet and other media, play an increasing important role in our common understanding of the world.

The internet project as well as the physical interactions with the city are intended as devices to challenge conventional thinking, an assault on the collective imagination of Copenhagen by which new possibilities for change are established. Be there for the opening March 27, check out radiantcopenhagen.net and remember to keep an eye out for a new Copenhagen.

Contributors to Radiant Copenhagen includes Kristoffer Ørum, Anders Bojen, Rune Graulund, Maja Zander, Kaspar Bonnén, Stig W. Jørgensen, Palle R Jensen, Ida Marie Hede Bertelsen, Peter Rasmussen, Kasper Hesselbjerg, Ulrik Nørgaard, Daphne Bidstrup, Andreas Pallisgaard and Kristian Haarløv.

Radiant Copenhagen is supported by projektpuljen – City of Copenhagen. Book a seat for the bus tour on March 28 at 12 noon or 3:00 pm by emailing booking [at] radiantcopenhagen.net. Departure is in front of Christiansborg - duration 1 hour. Opening is at 5:30 pm at Gallery Overgaden - Institute of Contemporary Art. Overgaden Neden Vandet 17, DK-1414 Copenhagen K.


Originally
from Networked_Performance

by jo


reBlogged

on Mar 26, 2009, 7:51PM

Originally by jo from Networked_Performance on March 26, 2009, 8:51pm

Posted under reblog art, reblog innovation, reblog wikinomics

This post was written by admin on March 27, 2009

Tags: , , ,

Winter Camp 09: How Would You Organize Your Network?

Winter Camp 09 Introduction by Geert Lovink (and a response by Shannon Clark via nettime):

“If we take network technologies seriously, we have to ask ourselves: What’s next after the initial excitement? What happens after we have linked up, found old classmates, become friends and even meet up? Will networking be seen as an additional loose level of social interaction or will the ties become more serious? What do networks do to our culture in the long term? Will we constantly move from one platform to the next initiative, following the global swarm? Do we really wish to carry our social network with us, wherever we go? How do you cope with Web 2.0 hype? Are the constant requests to be linked a plague, and should we see those sites as a modern telephone book or rather as something that fosters new forms of cooperation? Will we return to our busy everyday life after the fashion is over or go for a deep commitment to the virtual? As artists, researchers and cultural workers are drawn into the network paradigm, it seems pertinent to collectively inquire into what happens when networks become driving forces. How can networks maintain their critical edge while aiming for professional status? Doesn’t everyone want to get paid for their ‘free labour’?

When a network settles down, and is suddenly not so new anymore, it can be quite a challenge to maintain the level of initial activity. Should a network then transform into a so-called ‘organized network’? Organizing a network does not mean canceling spontaneity and making way for rules and hierarchy: it can provide a place for sustainable knowledge sharing and production. As Ned Rossiter argues in his book Organized Networks (2006), face-to face meetings are crucial ‘if the network is to maintain momentum, revitalize energy, consolidate old friendships and discover new ones, recast ideas, undertake further planning activities, and so on’. This event is therefore meant for those networks and (potential) network members that cry for support to gather in real life, conspire, discuss and make the necessary steps forward. Winter Camp does not have an (academic) educational or training component, even if there is a lot to learn.

The political concept of organized networks is clear: the invention of new institutional forms immanent to the logic of networks. The Winter Camp is an exploration in how to do that, what such institutions might looks like, what they might do, how they might operate in different geopolitical contexts, how they are financed, speculate and reassess what their relation is to other institutions and each other, etc. As a meta-network, the event aims to produce an overview of network strategies that hold a combinatory potential for trans-network collaborations. This is the scalar dimension of organizing networks: how can we scale and keep-up, not become introverted and not only invent and innovate but, in the end, use the network form in the implementation of changes that we envision on a society-wide level?

With the Winter Camp, the Institute of Network Cultures intends to facilitate this transformation for a dozen existing and new networks around the topic of new media, art and culture. Some have emerged within the context of the INC, such as Video Vortex and MyCreativity, others have existed beforehand (Incommunicado) or are on the verge of becoming a network (Bricolabs). The format is a mix of a conference and workshop with the emphasis on getting things done. We hope to find a balance between intense sessions of groups, plenary sessions, mid- size meetings and lots of possibilities for informal gatherings.

The Winter Camp is mainly focused on theorists, artists, producers, researchers, curators, activists and other new media experts and interested people.

Winter Camp 09 will be a week-long program of workspaces/workgroups and plenary presentations, in which 12 groups can work on specific current topics. The maximum capacity is 150 participants. Experiences with temporary media labs go back to the 1990s (for instance Hybrid WorkSpace/Documenta X and Temp Media Lab/Kiasma). The Wintercamp 09 format was inspired by the special card box architecture, built by Paco Gonzalez for the 10th edition of the Zemos98 festival in Sevilla, Spain, in March 2008. Here, unlike the Hybrid WorkSpace, where groups showed up one after the other during a three months period, in Sevilla 10 groups worked for 5 days in groups of 10 participants under the guidance of a ‘professor’ (workshop leader) on contemporary web 2.0/ new media topics, accompanied by a plenary program.

The Winter Camp is framed around parallel workshops that convene once a day for (public) lectures and debates. The outcomes will vary from code and interfaces to research proposals and manifestoes. Plenary sessions will be held during this working conference as contextualization as well as a dialogue or debate about the limits and possibilities of the networks at hand. For the moment it is not completely clear what that will be like. The program will probably end with a public session where results of the workgroups will be presented, varying from wikis to maps and interventions, and from radio stations to performances.

Crucial to the concept of the Winter Camp is the intention of ‘antagonistic encounters’. Existing and emerging networks will be challenged and interrupted by polemic contributions from outsiders, either online or in real-life. Self-referential ghettoization is the last thing that has to happen. The preparation and programming stage of this event will develop a collaborative database that adopts negation and difference as a productive principle. In this way, we begin to contour the borders of networks and in so doing establish the materiality of collaborative potentials. There is no single model for networks to become sustainable. To get all the options on the table is a first necessary step in order to move to the next step. Networks, Get Organized!

Given the constraints of participation – limited numbers – the format of the Winter Camp places an immediate organizational challenge upon networks: who participates? The issue of ‘governance’ and openness is one that each network at some stage has to address. The process of building a network of networks thus begins well before the time of the Winter Camp meeting, and will be incorporated into the discussions before, during and after the event.

Along with a great curiosity about how networks do what they do, one of our key motivations in putting this event together has been the question of institutions. Whether we like it or not, institutions are part of our daily life. Just as economic globalization has massively transformed the world on a seemingly annual basis, so too have institutions as we usually understand them – those whose foundations are built from concrete and steel, bricks and mortar – been subject to considerable change in the age of electronic networks. While many primary institutions of social and political life (the state, firms, unions, universities) have struggled to adapt to changing circumstances, they have nonetheless made recognizable and frequently substantive changes. Indeed, many have reinvented themselves as ‘networked organizations’.

Having said that, the prime focus of Winter Camp 09 is not on those established organizations and how networks are used to increase, and optimize, inter-institutional exchanges. While it could be said that such institutions have undergone a crisis – both in terms of legitimacy and ontology – it would be a serious mistake to suggest their hegemony has diminished. Counter-sites of power are needed to contest the assumption that once a dominant institution becomes networked it somehow operates in a more soft, benign mode. Network surveillance through data-mining and user-profiling is only becoming more sophisticated as a biopolitical technology of control.

At the same time, and particularly with the advent of the neoliberal state over the past 30 or so years, space has been created for new institutional players. Witness the renewed role of religious organizations in the management and provision of social services, or the rise of NGOs and community organizations. Civil society has not so much ‘withered’, as Michael Hardt once put it, but rather proliferated due, in part, to the economic logic of outsourcing.

Where, then, does all this leave the culture of networks? This, in many ways, is one of the guiding questions that has shaped the organization of this event. It seems perfectly sensible and strategic to us that the organization of networks is a process of instituting new social-technical relations that have unique and special capacities to do things in the world, to effect change and transform subjectivities. How might networks take advantage of this new institutional condition, retaining their strengths – which include the culture of free distribution and sharing – while securing (or, more likely, inventing) the possibility of real sustainability of social and economic life?

Organized networks move between informality and structure, and it is this yet unexplored terrain that Winter Camp would like to investigate. There could be events that are totally ‘structure’ free but for us that would defeat a central purpose of this meeting, namely the cross-pollination of ideas and practices across the various networks, most of whom do not know each other, and who the organizers also do not know. The study of network cultures is, as the name already indicates, the core business of the Institute of Network Cultures, the initiator and organizer of Winter Camp 09. It is in this light that we would like to gather both practical and conceptual knowledge from networks themselves, document these ideas and make them accessible to an ever-growing range of groups and individuals that have started to work under the ‘network condition’.

There are many more questions to ask, critiques to be made, and agendas to be tested. No doubt, this will be the stuff of the Winter Camp and beyond. For now, we just wish to register the connection between the culture of networks and the need for new institutional arrangements in which networks can play a vital role.” Geert Lovink

Shannon Clark: Winter Camp 09: How Would You Organize Your Network?

Geert,

The schedule and format you have outlined for WinterCamp is very much in the spirit of an Open Space (though with some modifications) and in some other ways similar to the ongoing (and very successful & widespread) BarCamp movement - I suspect from the name you chose this is not a coincidence.

I’ve organized, facilitated and otherwise helped out with now dozens of such events - a few suggestions & observations from one event organizer to another.

(I’m sending this to nettime as I hope it may help other event organizers as well)

1. More than any other single factor the absolute most important part of any event held in Open Space (or similar formats) is the invitation. Who you invite - either directly or indirectly via a more open/public invitation - and even more so the frame which you set for the event - who will be there, what will be expected at the event, what goals if any are expected after the event etc. As Nina notes, there is some inherent tension in an event focused on networks and openness which is itself somewhat private & closed. This isn’t necessarily a bad thing - and indeed it can be a useful tension - but it should be recognized.

2. I describe all events I facilitate as having an “ebb & flow” - the goal with any event where people are breaking up into small group discussions is to as the organizer create an overall structure and schedule such that people return from those small groups and intermingle, flow back together as a group and have the shared experiences which bind a group together (meals are excellent for this
- but likewise shared group activities and experiences).

3. I would caution you about being too rigid with the workshop breakouts - there are many roles which people play at an Open Space or BarCamp style event. One is around the formal sessions - some people run sessions and mostly participate in others. But that is not the only or even most important role. An equally important role is that of “Butterflies” who “flit” between group, perhaps spending a few minutes in one session, then shifting to another, perhaps spending many sessions in ad hoc conversations in the hallways. These people play a vital role in weaving together the group - in cross pollinating ideas, in helping connect with people who find themselves in the hallways instead of in a session.

Whenever possible I prefer to hold these types of events in a single, large, open space. (If the weather permits I love holding entire conferences outside and at least in part in motion). The key aspect of being all together in a single, large space (ideally with minimal furniture - and what furniture there is pushed out to the edges) is that it greatly facilitates people overhearing other discussions, people migrating between discourses and at a minimum having a generalized sense of what else is happening - which conversations are striking a deep chord with the group (and which are not) - and helping each individual find others at the event with shared passions.

The mistake I see countless events (including most BarCamps) make is to have lots of small rooms, scattered throughout a venue, and to have very few shared group experiences so once the event starts everyone ends up with a personalized experience - moving between rooms - but has little overall sense of what the group as a whole is experiencing of thinking about.

I would also highly recommend taking time on the first day to give everyone present a very visceral sense of who else is there - what brought them to the space, what backgrounds or perspectives they are bringing to the event.

I generally do this with a group, physical exercise - plus if the group is small enough some basic introductions.

One favorite is to pick THREE (no more and no less) broad themes related to the event.

For WinterCamp this might be “Networks. Art. Politics” (pick better/more focused ones - but ideally terms which are in tension with each other)

Then you ask the whole group to form a TRIANGLE where each person places themselves along an edge which represents what their specific interests are (i.e. if mostly Art then at that point, if equally Art & Politics then midway between those two points). The point of the exercise being threefold.

1. It forces people to choose since you don’t allow them to break the edges - so they can’t be equally interested in all three.

2. It gets people physically milling and moving about - which as a start to an Open Space/BarCamp style event is vital - it breaks people of the habit of just being passive listeners as they are all to often at most more typical conferences or events.

3. Once formed it gives people a broad perspective on the interests of the crowd PLUS an immediate chance to find fellow travelers who share specific interests (i.e the people immediately around you in the triangle have just identified themselves as sharing your exact interests).

I generally start an event with an overview of the logistics (welcoming people, pointing out where facilities are, going over the broad schedule for the day). Then I give a short background about the format, the event (sponsors/organizers etc). Then the group exercise(s). And following that the first day’s breakout sessions. I typically have a grid with eh available spaces for breakouts - and then ask people to come to the center of the group and identify themselves and the session they would like to see happen. (and then select a time for that session - typically only scheduling the first day - leaving the later days to be filled in later)

What usually happens is that other people in the group share similar or related interests - and rather than each convening a separate session usually folks agree to work together on the same session. And the schedule often shifts are people ask for the bigger spaces (or spaces with facilities they need for a session such as a projector) and to balance out the schedule etc.

This process may take some time- but it also serves as a means to introduce a large portion of the group to each other.

Then we go into the breakout sessions.

I would usually also recommend keeping any formal presentations or talks to the EDGES of the schedule - in the mornings BEFORE working sessions or in the late afternoon/evening post-dinner. This allows people to e stay in a “working session” mode for a concentrated period of time. It is, however, good to have a shared group lunch - just don’t also have a speaker at or during lunch - instead people will naturally be continuing conversations started in the workshops and in the hallways.

It is also usually a really good practice to end the day back together as a group - and to at the end of each day get a brief report to the group as a whole about the discussions & progress made in the various sessions during that day (usually to do this means asking each session to have at least someone taking some notes - on paper & perhaps on a wiki) to report back later.

Starting each day as a group and building that day’s sessions and then ending the formal part of the day with reports back to the group usually dramatically accelerates the progress of the group as a whole.

I think your schedule of evening group experiences and events is a really good contrast to the working sessions during the days - shared meals & experiences really help bind people together.

Hope this is helpful and that you have a great and highly productive event!

Shannon


Originally
from Networked_Performance

by jo


reBlogged

on Feb 17, 2009, 5:24PM

Originally by jo from Networked_Performance on February 17, 2009, 6:24pm

Posted under reblog art, reblog wikinomics

This post was written by admin on February 18, 2009

Tags: ,

Government 2.0 camp in DC

As a complement to my previous post, those of you interested in exploring the curring edge of public sector innovation will want to make your way to DC at the end of March for the inaugural Government 2.0 Camp. I would be there myself if I wasn’t already scheduled to be in Europe. Here’s a clip from their site:

Government 2.0 Camp is the unconference about using social media tools and Web 2.0 technologies to create a more effective, efficient and collaborative U.S. government on all levels (local, state, and federal).

Government 2.0 Camp will bring together the leading thinkers from government, academia and industry to share Government 2.0 initiatives that are already in process and collaborate about how to leverage social media tools and Web 2.0 technologies to create a more collaborate, efficient and effective government — Government 2.0.

Government 2.0 Camp is the inaugural event of Government 2.0 Club, a newly-launched national organization that creates opportunities for government, academia and industry to share ideas and solutions for leveraging social media tools and Web 2.0 technologies to create a more collaborate, efficient and effective government.


Originally
from Wikinomics

by Anthony D. Williams


reBlogged

on Feb 2, 2009, 7:07PM

Originally by Anthony D. Williams from Wikinomics on February 2, 2009, 8:07pm

Posted under reblog wikinomics

This post was written by admin on February 11, 2009

Tags:

United Nations 2.0

I had an interesting chat this morning with a colleague who is trying to get wikinomics infused into the culture and operations of the United Nations and finding it tough going so far.

Like many observers of the international scene, I find it frustrating to watch international organizations like the United Nations fail to shake-off the sclerosis and bureaucratic inertia that have marred attempts to get anywhere near meeting the millennium development goals by 2015. As my colleague rightly pointed out, there was so much optimism surrounding the Rio Earth Summit in 1992–a time when the United Nations had a much more positive public profile and, seemingly at least, the clout to make things happen. No more.

Described by my colleague as ???closed and insular,??? the UN is quickly losing its convening power and ultimately its relevance in addressing the global challenges that matter. Its power and authority have been usurped; by the US???s unilateralism on one hand, and by a multitude of more nimble and innovative stakeholder networks that have emerged to fill the leadership void???networks that compete with the UN and other international organizations for attention, loyalty and funds. If there was ever a time when the UN needed to embrace open source principles, this is it.

To be fair to the many good people who work hard for the UN, they are hardly operating in a benign environment. Eight years of neo-conservative attacks and unfavorable news media coverage have denigrated its image and perhaps even eroded its confidence. It???s also fair to say that making consensus decisions with 192 members on the board of directors is hardly a walk in the park, particularly when some of those board members are not very sympathetic to your cause.

Perhaps, in the final analysis, it won???t matter if the UN cedes leadership to new global ???organizations??? and networks so long as someone can get the job done. But my sense is that the job will not get done without the involvement of an international body that represents the world???s national governments. So in the spirit of renewing the United Nations, I???m offering up the following five six ideas for starters:

  1. Hold a series of large-scale digital conversations (along the lines of Habitat Jam) on the each of the millennium development goals (MDG) to help develop new ideas, restore confidence, and engage the public. Set up an Ideastorm for each MDG to continue the dialog.
  2. Start building a virtual citizen assembly with representatives from each country. I don???t see this as a ???world parliament??? as others have suggested, but as more of watch dog whose principle responsibility would be to hold agencies within the United Nations system accountable. See??Campaign for the Establishment of a??United Nations Parliamentary Assembly, for example (thanks Tony for the link).
  3. Develop a transparency toolkit and encourage social entrepreneurs to build new web-based applications to help track progress (or lack of progress) towards the MDGs, much the way the United Kingdom and the District of Columbia have done with their mash-up contests.
  4. Stop producing stale policy documents and white papers and start leveraging rich, interactive media to carry-out the UN???s education and advocacy work.
  5. Establish an international clearinghouse of sorts that would help foster greater coordination and knowledge sharing between the multitude of international organizations, aid agencies, NGOs, charities and social entrepreneurs that are engaged in international development efforts.
  6. Experiment with??InnoCentive??and other talent marketplaces to help bolster the problem-solving capacity of UN agencies.??Solution Exchange??in India was developed by a local UN agency and could serve as a model for a broader collaboration platform.

United Nations 2.0 may sound far-fetched, but as my colleague aptly put it ???he who cautions every step covers little ground.??? Please add your own ideas in the comments section.


Originally
from Wikinomics

by Anthony D. Williams


reBlogged

on Feb 2, 2009, 9:31PM

Originally by Anthony D. Williams from Wikinomics on February 2, 2009, 10:31pm

Posted under reblog wikinomics

This post was written by admin on February 11, 2009