Positions in Flux - Panel 1: Art goes politics - Hans Bernhard from UBERMORGEN.COM

width="640"
height="640"
alt="74k"
title="Positions in Flux - Panel 1: Art goes politics - Hans Bernhard from UBERMORGEN.COM "
border="0" />

Hans Bernhard on why UBERMORGEN.COM are not activists, but ‘actionists - in the communicative and experimental tradition of viennese actionism - performing in the global media, communication and technology networks’ continue





Originally
from we make money not art

by Regine


reBlogged

Originally by Regine from we make money not art

Posted under reblog art

This post was written by admin on May 24, 2009

Tags: ,

Positions in Flux - Panel 1: Art goes politics - Wafaa Bilal

width="640"
height="465"
alt="86k"
title="Positions in Flux - Panel 1: Art goes politics - Wafaa Bilal"
border="0" />

The Iraqi born artist, who gained worldwide fame in 2007 with his performance Domestic Tension (aka. Shoot an Iraqi), explained why media art has the potential to contribute to a discussion about today’s most burning political and social issues continue





Originally
from we make money not art

by Regine


reBlogged

Originally by Regine from we make money not art

Posted under reblog art

This post was written by admin on May 24, 2009

Tags: ,

Positions in Flux - Panel 1: Art goes politics - Christian Huebler from Knowbotic Research

width="640"
height="535"
alt="103k"
title="Positions in Flux - Panel 1: Art goes politics - Christian Huebler from Knowbotic Research"
border="0" />

Knowbotic Research is looking for new zones of intransparency in which people can fully experiment and circulate, where one is neither representable nor identifiable. What would happen if we fight surveillance society with transparency? continue





Originally
from we make money not art

by Regine


reBlogged

Originally by Regine from we make money not art

Posted under reblog art

This post was written by admin on May 24, 2009

Tags: ,

littleBits, pre-engineered circuit boards connected by tiny magnets

width="640"
height="635"
alt="68k"
title="littleBits, pre-engineered circuit boards connected by tiny magnets"
border="0" />

All logic and circuitry is pre-engineered, so you can play with electronics without knowing electronics. Tiny magnets act as connectors and enforce polarity, so you can’t put things in the wrong way. And all the schematics will be shared under an opensource license so you can download, upload, suggest new bits and hopefully see them come to life continue





Originally
from we make money not art

by Regine


reBlogged

Originally by Regine from we make money not art

Posted under reblog art

This post was written by admin on May 24, 2009

Tags:

Positions in Flux - Panel 2: New territories and cultures of the digital

width="640"
height="478"
alt="122k"
title="Positions in Flux - Panel 2: New territories and cultures of the digital"
border="0" />

This panel looked at the geographical shift that media culture currently undergoes. Europe, North America and Japan used to be at the forefront of digital production, design, art and technological research. Now that technologies become available at lower prices and spread more widely on the globe, new initiatives and bottom-up organisations are burgeoning in East Europe, the Middle East, Africa and South America continue





Originally
from we make money not art

by Regine


reBlogged

Originally by Regine from we make money not art

Posted under reblog art

This post was written by admin on May 24, 2009

Tags:

Positions in Flux - Panel 3: Open Source - A scheme for art production and curating?

width="640"
height="478"
alt="135k"
title="Positions in Flux - Panel 3: Open Source - A scheme for art production and curating?"
border="0" />

Can the OS model be applied to artworks or even exhibitions? In how far does the open source model differ from other forms of artistic collaboration? Is there a new role model for both the artist and the curator in the future? Which (economic) value and impact has expertise in open source production? How could institutions and organisations respond to this trend and create public domains? continue





Originally
from we make money not art

by Regine


reBlogged

Originally by Regine from we make money not art

Posted under reblog art, reblog innovation, reblog wikinomics

This post was written by admin on May 24, 2009

Tags: , ,

AUTO. SUEÑO Y MATERIA - Artificial traffic jam in the mountains

width="640"
height="477"
alt="122k"
title="AUTO. SUEÑO Y MATERIA - Artificial traffic jam in the mountains"
border="0" />

The latest exhibition at Laboral, AUTO. DREAM AND MATERIAL, showcases 100 artworks which, each in their own way, explore the relationship between car culture and art creation in recent decades continue





Originally
from we make money not art

by Regine


reBlogged

Originally by Regine from we make money not art

Posted under reblog art

This post was written by admin on May 24, 2009

Tags:

Stock Overflow at iMAL in Brussels

width="640"
height="766"
alt="122k"
title="Stock Overflow at iMAL in Brussels"
border="0" />

An exhibition and a series of lectures proposed by RYBN to recontextualize the crisis, its mediatic and politic strategies, on the topics of disaster, structural instability and financial markets mythologies continue


Originally
from we make money not art

by Regine


reBlogged

Originally by Regine from we make money not art

Posted under reblog art, reblog innovation

This post was written by admin on March 27, 2009

Tags: ,

Ik R.I.P. at Mediamatic Amsterdam

width="640"
height="646"
alt="69k"
title="Ik R.I.P. at Mediamatic Amsterdam"
border="0" />

What happens to your online profile after you die? Do you want it to remain online, so friends can leave a message in your memory? Or do you prefer having it deleted, so no confusion can arise about your death? These questions are the inspiration for the new exhibition Ik R.I.P., the third in the series about self-representation on the internet. continue


Originally
from we make money not art

by Plugimi


reBlogged

Originally by Plugimi from we make money not art

Posted under reblog art, reblog wikinomics

This post was written by admin on March 27, 2009

Tags: ,

Live Stage: Public Receptors - Beneath the Skin [NYC]

Public Receptors: Beneath the Skin — A Textile Installation by Gabi Schillig :: April 2-17, 2009 :: Opening Reception: April 2; 6:30 pm :: Van Alen Institute, 30 West 22nd Street, New York City.

Van Alen Institute is pleased to announce Public Receptors: Beneath the Skin, a textile installation by New York Prize Fellow Gabi Schillig, a conceptual artist and architect based in Berlin. Schillig’s wearable spatial structures mediate between private users and public spaces, provoking new relationships between bodies, clothing, and the built environment. Redefining the garment as tactile architecture, Schillig explores the potential for soft geometries and surfaces of textiles, conventionally associated with individual bodies and human scale, to generate alternative arrangements of social space and modes of interaction in the urban fabric. For Schillig, multiple users, desires, and urban contexts are necessary to materialize her work. Designed to be interconnected and shared, her second skins evolve an architecture built upon the creativity of its participants.

Over the course of her fellowship residency, Schillig has developed a new set of textile structures she calls public receptors, and she has conducted a series of site-specific experiments for their implementation in New York City. Made from felt, latex, and a variety of fastening devices, the structures are designed for attachment to specific building surfaces and street conditions, to be improvised and appropriated for clothing, furniture, habitat, or other uses. Upon contact, they transform in geometry, texture, and color from two-dimensional and often camouflaged elements in the city to three-dimensional interfaces that sensitize and reassociate urban bodies to environments at multiple scales.

Public Receptors: Beneath the Skin assembles Schillig’s textile structures in Van Alen Institute’s gallery for staged and spontaneous performance, interaction, and play. They are presented alongside footage of Schillig’s experiments in the city, with documentation of her research processes and material investigations.


Originally
from Networked_Performance

by jo


reBlogged

on Mar 24, 2009, 8:05PM

Originally by jo from Networked_Performance on March 24, 2009, 9:05pm

Posted under reblog art, reblog innovation

This post was written by admin on March 27, 2009

Tags: ,