Can the OS model be applied to artworks or even exhibitions? In how far does the open source model differ from other forms of artistic collaboration? Is there a new role model for both the artist and the curator in the future? Which (economic) value and impact has expertise in open source production? How could institutions and organisations respond to this trend and create public domains? continue
Originally by Regine from we make money not art
Posted under reblog art, reblog innovation, reblog wikinomics
This post was written by admin on May 24, 2009
